The Magic Flute Movie Review

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Since Mozart’s last opera, the Magic Flute, premiered in 1791, he has enchanted music lovers, tested generations of coloratura singers with one of the most notoriously difficult melodies in the canon, confused anyone who tried to give too much meaning to history, and captivated those who love to delve deep into conspiracy theories inspired by several arcane Masonic symbols of history. A beautiful Swedish-language version was directed by Ingmar Bergman in 1975, and a strange English-language version from the First World War, directed by Kenneth Branagh, was released in 2006.

This new international production, directed and co-written by Florian Sigl, is great, but unevenly produced. It takes place in a music boarding school in the mountains named after Mozart. The students stage a production Of The Magic Flute. The school also has a secret magical passage to a true magic flute story.

In addition to the music (which has a touch of Michael Jackson), the film benefits from a complex and often beautiful production design by Christoph Kanter, especially the interior of the school and some of the magic sets. Some of the most spectacular images of the enchanted landscape reflect the influence of producer Roland Emmerich, who is best known for his blockbusters with heavy effects.

To make it more accessible at the end of the XIX century, the German libretto of Mozart’s opera is loosely translated into English, and some singers are closer to pop than classical. However, the aria of the Queen of the Night will be performed by Sabine devieilhe, an acclaimed diva who played the same role at the Royal Opera in London. It is breathtaking when she sings this pulsating melody and her fabulous cape floats in the sky as if she were wearing her awesome high notes. Morris Robinson, also a professional opera singer, gives his rich, resounding bass notes to Sarastro, who is condemned by the queen of kidnapping the princess. Iwan Rheon is on site for the comic relief character Papageno.

The student who discovers the passage is Tim Walker, played by elf-faced Jack Wolfe. He arrives after, six weeks after the beginning of the semester, because he is taking care of his dying father (Greg Wise), who gives Tim a very old book of the Magic Flute, which he has since his studies at the Mozart International School. He wants Tim to return the book. And he promises that the school will change Tim’s life.

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