John Wick New Chapter Review

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Welcome, Mr. Wick. Four years after “John Wick: Chapter 3 – Parabellum”, director Chad Stahelski and Keanu Reeves are back in theaters with “John Wick: Chapter 4”, a film that was supposed to be released in theaters almost two years ago. Trust me. It was worth the wait. Stahelski and screenwriters Shay Hatten and Michael Finch have distilled the mythological approach of the last chapters with the simplified plot of the first film, leading to a last hour here that is among the best of its kind.

“John Wick: Chapter 4” begins with his main character (Reeves), who is on the run again when the malevolent forces known as the bar table get in his way. The main villain of the series is the Marquis de Gramont (Bill Skarsgård), a standing table chef who continues to raise the bounty on Wick’s head while eliminating the mess left behind, including the potential elimination of Winston Scott (Ian McShane) and his part in this infamous Organization. The opening scenes take Wick to Japan, where he enlists the help of Osaka Continental Chef Shimazu (Hiroyuki Sanada), and comes into conflict with a blind stand-up table assassin named Caine (badass Donnie Yen). Laurence Fishburne appears from time to time as wicks Q When the finisher needs a new bulletproof suit, and Shamier Anderson plays an assassin who seems to be waiting for the price on Wick’s head to reach the right Level for him to get his salary. More than in recent films, the plot here seems refreshing again, despite the epic length of the film (169 minutes). It’s John Wick. Here are the bad guys. Come on!

And go do it. Stahelski and his team construct action sequences in a way that feels both urgent and artistically choreographed. Filmmakers who rethink their shootings often find themselves in a tone that seems distant, without stakes and that seems elegant rather than substantial. The great Action directors are discovering how to film action in a way that does not sacrifice suspense for staging. The action sequences of “John Wick: Chapter 4” are long actions, shootouts between John and dozens of people who underestimate him, but they have so much momentum that they do not exceed their reception.

They also have wonderfully defined stakes. At some point in the Film, John and an enemy decide the parameters of a action, including time, weapons and variables. But this really applies to all major action scenes, where we understand very well what John has to do and who he has to go through to “complete the level.”The simplicity of the objectives allows a complex choreography. We know what needs to happen for John to keep moving forward, as he has since the beginning of the first film. So much modern action is overloaded with convoluted characters or goals, but the “Wick” films have such a brilliant clarity of intention that you can then have fun in these simple constructions.

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