Furies Movie Review

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Dynamic action cinema does a lot of work in the otherwise lumpy Vietnamese beat-em-up “Furies”, a prequel that is hardly connected with the martial arts knockout 2019.””Furies” doesn’t follow “Furie” star Veronica Ngo or her character. Instead, Ngo steps behind the camera for “Furies,” her directorial debut, and a kind of backstory for Thanh Hoa’s “rage” villain Thanh Soi.

“Furies” (originally titled “Thanh Soi”) does not focus on Thanh, but plays the real star of the film, Bi (Dong Anh Quynh), a nervous orphan who works through childhood trauma by confronting a group of sadistic traffickers with a trio of vigilante colleagues, including Thanh (played here by Toc Tien), Hong (Rima Thanh vy) and their leader Jacqueline (Ngo Thanh Van).

“Furies” pales in comparison to the relatively self-conscious “rage” in every scene where the characters have to relate to each other beyond the driving force. Action director Samuel Kefi Abrikh, who also choreographed the action scenes in “Fury”, still delivers a number of outstanding moments, but the cast of the ensemble is not so memorable if it does not tear the screen.

In a disturbing introductory scene, a young Bi (Thuy Linh) loses her mother, a prostitute, after a tipsy John strikes the two women and accidentally sets fire to their tiny houseboat. Fifteen years after, Bi is rescued and adopted by Jacqueline and her two students, Hong and Thanh. All four women were raped or venereally abused, and it’s all in honor of the filmmakers that some scenes directly address this intense connection. In a role-ready highlight, Bi returns from a particularly brutal confrontation with an uncontrollable action or flight reaction triggered by her mother’s memories. She can’t stop hitting, and at that time not even Thanh can stop her without sending something back.

The villains of “Furies” are not so memorable. Thuan Nguyen provides an unremarkable performance as Mad Dog Hai, a supposedly demonic pimp, and his fellow traffickers are only as threatening as the women they endanger. A last-minute twist adds an additional narrative wrinkle to Jacqueline and her daughters’ feud with Hai, but their mutual antagonism is not much more complicated than it seems at first glance. It’s a powered slimball, and they are vengeful angels. They action, and sometimes it’s pretty cool to watch.

Although Abrikh’s choreography is still solid, it only sometimes has the same ingenious spark that was in ” Furie.”NGO’s camera corresponds to the pace of the concussions and the wild movements of his performers, but some action scenes feel like handshakes, considering how much they give in to the blows in “Fury.”That is, if the moment requires a really disturbed, macabre adrenaline rush, Abrikh and Ngo provide a couple of indelible, gnarly pictures. You know that a action will be good if it starts with an striker ripping a bloody syringe out of his throat.

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